Thursday, September 26, 2013



This photograph by Annie is interesting in the way the darker colors bring a darker feeling to develop the overall picture. Using the contrast between the light and shadows, they bring harmony to the overall picture.




The picture here by Annie uses value and color very well. The pink from the dress and roses draw your eyes to look at the entire page, instead of just one focal point. The brightness seems to give an overall value that is very joyful.

Monday, September 16, 2013

Shape:
 Line:
 Color:
 Value
 Texture
 Harmony
 Contrast:
 Movement:
 Rhythm:
Balance:
IMG_0788.JPG.jpg 

Friday, September 6, 2013

Homework

Digital photo definitions

Line: an element in photography to divide or seperate different parts of a picture, a line can enhance the quality of the image by creating seperartion and possibly balance between the different figures.
Shape: a shape is another element in a photo. Defined as a two-dimensional figure, a shape can become a form , or a three-dimensional figure, with proper development from lighting and seperation.
Color: color in an image are the natural colors that are found from the rays of light.  With lighting adjustments and editing, an image's natural color can become whited out or unnatural fluorescent colors.
 Value: it is the level of brightness of pixels or colors in a frame
Volume/Form: it is the way the colors, shapes, or lines in a picture create a well working image with harmony between each other.
Balance:A secondary point of interest to counter the main focus, and creates harmony by filling in the empty space.
Harmony: the overall balance of the image, that creates a sort of unity between the objects in a picture.
Contrast: the brightness range in an image. As the contrast in the image increases, the brightness also increases.
Movement and rhythm: these two terms refer to the flow of an image. As the viewers eyes move through out the image, the creator puts patterns inside the image that creates a commonality and unity in the image.  
Texture: used to describe either the feel of a two-dimensional piece of art, or how a three-dimensional actually feels.